“Diplomacy in Bronze,” Maria Martins: Tropical Fictions. Ed. Isabella Rjeille. Sao Paolo: Museu de Arte de Sao Paolo, 2021. pp. 117–127.

“Notes on the Reparations Monument,” Monuments NOW, ex. cat. New York: Socrates Sculpture Park, 2021.

“Alteration and Alterity in Giacometti’s Mannequin and Walking Woman,” in Alberto Giacometti: L’Oeuvre disparu. Paris: Fondation Giacometti, 2020.

“Three Items,” Patricia Treib. New York and London: Bureau and Kate McGarry, 2019, 6–15.

“Kathryn Andrews: Censor or Surfeit,” in In Plain Sight: Kathryn Andrews, castaneda/reiman, Dario Robleto, Weston Teruya. Oakland: Mills College Art Museum, 2019.   

“castaneda/reiman: Lay of the Landscape,” in In Plain Sight: Kathryn Andrews, castaneda/reiman, Dario Robleto, Weston Teruya. Oakland: Mills College Art Museum, 2019.

“Water Astonishing and Difficult,” N. Dash: Wanderwort. Rome: Fondazione Giuliani, forthcoming.

“Glocal Uncanny.” Plamen Dejanoff: Foundation Requirements. Vienna: Belvedere/21er Haus, 2015. pp. 150–163.

“Houseguest.” Frances Stark. Los Angeles: Hammer Museum, 2015. pp. 122–23.

“The Swift Face.” Sam Porritt: ASSEMBLY — Cast of Characters. Zurich: Side Issues, 2015. n.p. 

“Triple Take.” Lucas Blalock: Inside the White Cub. New York: Peradam Press, 2014. n.p.

“Salmagundi.” Carter Mull’s Typist, Paris: One Star Press, 2014. pp. 19–23.

“From Ettore, With Love.” Justin Beal: Listeria. Los Angeles: LAXART, 2013. n.p.

“A History of Graph Paper.” John Houck: A History of Graph Paper. New York: On Stellar Rays,  2013. n.p.

Coquilles mécaniques, ex. cat, “Coquilles mécaniques: October 7, 2012 – January 13, 2013.” Altkirch: Crac Alsace, 2012.

“Mike Kelley: Education Complex Onwards,” in Education, ed. Felicity Allen. London and Cambridge, MA: Whitechapel Gallery and MIT Press, 2011. pp. 126–127.

“Cloud Study.” Nick Oberthaler. Paris: OK-RM/Thaddeus Ropac, 2011. pp. 4–21.

“Text.” Nina Beier: ArtBasel Statements. London: Laura Bartlett, 2010. pp. 19–32.

“Fathoming Gestures.” Lucy Skaer, A Boat Used as a Vessel. Basel: Kunsthalle Basel, 2009. pp. 28–33.